Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)Tsippi Fleischer歌曲mp3下载_Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)在线试听

Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b) - Tsippi Fleischer.mp3 在线试听

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歌手：Tsippi Fleischer

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Tsippi Fleischer1、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 1, First methodological unit: Solo
Tsippi Fleischer2、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 2, Second methodological unit: Special unison
Tsippi Fleischer3、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
Tsippi Fleischer4、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
Tsippi Fleischer5、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic
Tsippi Fleischer6、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)
Tsippi Fleischer7、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
Tsippi Fleischer8、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)
Tsippi Fleischer9、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
Tsippi Fleischer10、Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
Tsippi Fleischer/Al-Khansa (6th century)11、Like Two Branches - Cantata for choir & chamber ensemble, Op. 24:No. 1, Introduction; Your Swiftly-Saddled Horse
Tsippi Fleischer/Al-Khansa (6th century)12、Like Two Branches - Cantata for choir & chamber ensemble, Op. 24:No. 2, Refrain (b); You Appease the Thirsty Spear
Tsippi Fleischer/Al-Khansa (6th century)13、Like Two Branches - Cantata for choir & chamber ensemble, Op. 24:No. 3, Ballet
Tsippi Fleischer/Al-Khansa (6th century)14、Like Two Branches - Cantata for choir & chamber ensemble, Op. 24:No. 6, Refrain (d); I Shall Weep for you
Tsippi Fleischer/Al-Khansa (6th century)15、Like Two Branches - Cantata for choir & chamber ensemble, Op. 24:No. 5, Every Morning at Sunrise

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Like Two Branches - Selected Passages performed with Kanun, Op. 24:No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b) - Tsippi Fleischer.mp3 在线试听

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