[00:00.000] 作曲 : Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo
[00:01.270] When I was fifteen, sixteen, when I really started to play guitar
[00:06.249] I definitely wanted to become a musician
[00:09.515] It was almost impossible because—it was—the dream was so big
[00:13.694] That I didn't see any chance because
[00:15.944] I was living in a little town; was studying
[00:19.140] And when I finally broke away from school and became a musician
[00:25.190] I thought, "Well, now I may have a little bit of a chance"
[00:28.922] Because all I really wanted to do is music
[00:31.293] And not only play music, but compose music
[00:35.027] At that time, in Germany, in '69, '70, they had already discotheques
[00:42.151] So, I would take my car, would go to a discotheque
[00:45.900] Sing maybe thirty minutes
[00:50.286] I think I had about seven, eight songs
[00:53.055] I would partially sleep in the car
[00:56.809] Because I didn't want to drive home and that helped me for about
[01:02.338] Almost two years to survive in the beginning
[01:09.170] I wanted to do an album with the sounds of the '50s
[01:12.563] The sounds of the '60s, of the '70s
[01:15.781] And then have a sound of the future
[01:18.809] And I said, "Wait a second, I know the synthesizer
[01:22.393] Why don't I use the synthesizer which is the sound of the future?"
[01:27.513] And I didn't have any idea what to do
[01:30.251] But I knew I needed a click, so we put a click on the 24-track
[01:34.844] Which then was synced to the Moog Modular
[01:38.455] I knew that could be a sound of the future
[01:42.385] But I didn't realize how much the impact would be
[01:47.326] My name is Giovanni Giorgio
[01:49.351] But everybody calls me Giorgio
[01:54.123]
[04:59.610] Once you free your mind about a concept of
[05:03.662] Harmony and of music being "correct"
[05:06.792] You can do whatever you want
[05:08.396] So, nobody told me what to do
[05:11.674] And there was no preconception of what to do

作曲 : Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo
When I was fifteen, sixteen, when I really started to play guitar
I definitely wanted to become a musician
It was almost impossible because—it was—the dream was so big
That I didn't see any chance because
I was living in a little town; was studying
And when I finally broke away from school and became a musician
I thought, "Well, now I may have a little bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose music
At that time, in Germany, in '69, '70, they had already discotheques
So, I would take my car, would go to a discotheque
Sing maybe thirty minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home and that helped me for about
Almost two years to survive in the beginning
I wanted to do an album with the sounds of the '50s
The sounds of the '60s, of the '70s
And then have a sound of the future
And I said, "Wait a second, I know the synthesizer
Why don't I use the synthesizer which is the sound of the future?"
And I didn't have any idea what to do
But I knew I needed a click, so we put a click on the 24-track
Which then was synced to the Moog Modular
I knew that could be a sound of the future
But I didn't realize how much the impact would be
My name is Giovanni Giorgio
But everybody calls me Giorgio
Once you free your mind about a concept of
Harmony and of music being "correct"
You can do whatever you want
So, nobody told me what to do
And there was no preconception of what to do